Visual Galleries & Collections

The alluring heroines of pulp covers, serials and space-age cinema, each set in a real era and genre from NeuraScene's ontology. Three new images a day.

Space princesses, rocket pilots and lady scientists from the silent serials to the Atomic Age, each set in a real era and genre from NeuraScene's ontology and made in that genre's own medium. Three new images a day.

A daily showcase of NeuraScene's ontology: every era, every genre of photography, film and art, each image made with the cameras, film stocks and artistic media that genre really used. Three new images a day.

High tech and low life: rain-slick neon streets, hackers, street samurai and corporate towers, from 80s tech-noir to now, each set in a real era and genre from NeuraScene's ontology.

Science fiction in which information itself is the frontier: alien scripts, signals surfacing from noise, loops, simulations and minds made of data, in ordinary, closely observed worlds. Drawn from Bruce R. Long's Informationist SF theory (University of Sydney MPhil, 2010 https://ses.library.usyd.edu.au/handle/2123/5838 ) and the infopunk genres of NeuraScene's ontology, from Alphaville and Stalker to Arrival, Annihilation, Source Code and Skyline.

Candlelit castles, haunted manors, moonlit graveyards and the people who walk them: gothic romance, horror and mystery from the Victorian era to now, each set in a real era and genre from NeuraScene's ontology.

Original artworks in every movement and medium of NeuraScene's ontology, from Victorian illustration to digital art, each made with the materials and techniques its movement really used.

Stills from films that never were: every era and genre of cinema in NeuraScene's ontology, each shot with the cameras, lenses and film stocks its makers really used.

Photographs from every tradition and era in NeuraScene's ontology, each made with the cameras, lenses and film or sensors its photographers really used.